Monday, August 27, 2007

Joseph Chaikin

Joseph Chaikin (September 16, 1935–June 22, 2003) was an American theatre director, teacher and playwright. He suffered from heart complications as a child, and was sent to a children's hospital in Florida the age of five. It was during this period of isolation that he began to experiment in the theatre.

He briefly attended Drake University in Iowa, and then went on to work with The Living Theatre before founding The Open Theater an experimental theatre co-operative that progressed from being a closed laboratory to performing devised work to an audience. In 1970 they performed Endgame by Samuel Beckett, with Chaikin playing the role of Hamm, at the Grasslands Penitentiary, a fulfillment of his desire to experiment with audiences who would be fundamentally different to the ones they were playing for. In 1970- 71 they performed Terminal by Susan Yankovitz in many maximum and minimum security prisons on the East Coast of the USA and Canada. The Open Theater ran for about ten years. Chaikin wound the company up to avoid its institutionalising, since it achieved critical success, something which he spurned saying, "I have rarely known a case where a critic's response to actors, directors or writers has expanded or encouraged their talent- I have known cases where by panning or praising, the critic has crushed or discouraged creative inspiration".

He then formed a company called The Winter Project, whose members included Ronnie Gilbert and Will Patton. Chaikin had a close working relationship with Sam Shepard and together they wrote the plays Tongues and Savage/Love, both of which premiered at San Francisco's Magic Theatre. They were commissioned to write When The World Was Green for the 1996 Olympics in Atlanta, Georgia. Beyond performing in his plays, Chaikin was an expert on Samuel Beckett, directing a number of his plays including Endgame at the Manhattan Theatre Club. Beckett wrote a poem for Chaikin entitled What Is the Word?. He received six Obie Awards, including one for Lifetime Achievement, and two Guggenheim Fellowships.

In 1984, a stroke suffered during open-heart surgery left Chaikin with partial aphasia. Despite this barrier to communication, Chaikin continued to direct and to create plays collaboratively with other writers, including John Belluso, whose disability-themed plays were produced at the Mark Taper Forum, Trinity Rep, Pacific Repertory Theatre and the New York Shakespeare Festival. Chaikin was also a lifelong teacher of acting and directing, and lived in New York's West Village until his death.

In 1972 his book, "The Presence of The Actor" was first published with a second edition in 1991 published by Theatre Communications Group. It includes exemplar notes, photographs and exercises from several Open Theatre productions as well as presenting Chaikin's philosophy on how theatre can bring about social transformation.

Chaikin was born and died in New York City. His son, Mauricio, now resides in Deer Park, New York.

Tuesday, August 21, 2007

Language Evolution’s Slippery Tropes


This view now faces many rivals. The big-bang theory has been countered by linguists who believe that just as the eye evolved to meet a need for vision, language evolved to meet the need for communication. Ms. Kenneally ushers onto the stage researchers who have discovered that many animal species possess languagelike skills previously unimagined and, without benefit of syntax or words, have a complicated inner life. They believe that the study of animal language and gestures could shed light on a possible protolanguage stage in human development.

The idea that language is restricted to a specific area of the brain has been more or less discarded. Brain researchers now believe that language tasks are assigned throughout the brain. Moreover, some linguists now believe that language is a two-way street. It’s not something emanating from the brain of a communicating human. It actually changes the processes of the brain. Stroke victims suffering from aphasia, a condition involving language loss, do not simply find it difficult to communicate, they also find it more difficult to categorize, remember and organize information.

next........


Dr. Ronald Cohn/Gorilla Foundation/PBS

Koko, a gorilla with a vocabulary.

Assessment Aphasia


Book Description:
Spreen and Risser present a comprehensive, critical review of available methods for the assessment of aphasia and related disorders in adults and children. The authors explore test instruments and approaches that have been used traditionally for the diagnosis of aphasia, ranging from bedside screening and ratings, to tests of specific aspects of language, and to comprehensive and psychometrically standardized aphasia batteries. Coverage of other methods reflects newer trends, including the areas of functional communication, testing of bilingual patients, psycholinguistic approaches, and pragmatic and discourse-related aspects of language in everyday life. The authors also examine the expansion of language assessment to individuals with non-aphasic neurological disorders, such as patients with traumatic brain injury, lesions of the right hemisphere, the healthy elderly, and invidulas with dimentia. Taking a flexible and empirical approach to the assessment process in their own clinical practice, Spreen and Risser review numerous test instruments and their source for professionals and students-in-training to choose from in their own use. The introductory chapters cover the history of aphasia assessment, a basic outline of subtypes of aphasia- both neuro-anatomically and psycholinguistically-, and the basic psychometric requirements for assessment instruments. The final part discusses issues in general clinical pracitce, specifically questions of test selection and interpretation.L The book is a thorough and practical resource for speech and language pathologists, neuropsychologists, and their students and trainees.

http://mihd.net/

A Novelist in Shadowland





I knew that the left hemisphere processes positive feelings, the right negative ones; unopposed, the remaining right hemisphere could spark dark angry emotions for the rest of his life.
Next................
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"Mem, Mem, Mem.

" After a stroke, a prolific novelist struggles to say how the mental world of aphasia looks and feels. [Via ectoplasmosis.]

Exactly the same thing happened to me. Apart from the bit about being a famous writer & poet.

This is a great link, and very sad. My great-grandmother had aphasia after several strokes and it was so hard to see her frustration when she struggled to say something and could only produce random syllables.

velvetrabbit's link about Edwyn Collins from earlier this week is interesting in this context.

Great link and inspiring story.

He sounds like someone interesting to talk to, and the process of his writing while coping with aphasia is compelling, but I just couldn't get into his new writing.

All of his writing can be fairly opaque.

What an absolutely riveting read!

I'm also reminded of my grandmother - she was in and out of it at the end. In one of her lucid moments she found out that my no-good cousin was in jail and insisted on dictating a letter to him. It read much like West's aphasic memoir.

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Aphasic memoirs


'Mem, Mem, Mem' -- After a stroke, a prolific novelist struggles to say how the mental world of aphasia looks and feels, by Paul West; introduced by Diane Ackerman. American Scholar, Summer 2007.
http://www.theamericanscholar.org/su07/mem-west.html

from the introduction: "'You know, dear,' I said to him one day, about two months after the stroke, when he was feeling mighty low, 'maybe you want to write the first aphasic memoir.' He smiled broadly, said, 'Good idea! Mem, mem, mem.' And so he began dictating, sometimes with mountain-moving effort, and at others sailing along at a good clip, an account of what he’d just gone through, what the mental world of aphasia felt and looked like. Writing the book was the best speech therapy anyone could have prescribed. For three exhausting hours each day, he forced his brain to recruit cells, build new connections, find the right sounds to go with words, and piece together whole sentences. Going over the text the next day helped refine his thoughts and showed him some of aphasia’s fingerprints in the prose." [More] (via Arts & Letters Daily)


(Post a new comment)


aelfgyfu_mead
2007-08-18 03:09 pm UTC (link)
That's a fascinating piece, and I find it ultimately very encouraging. I hope one doesn't have to be a novelist to work through aphasia! I think there may be hope for those of us who talk and blog almost incessantly (like me!).

(Reply to this)

Wednesday, August 1, 2007

ravel and the third stream cont.

We know now that Ravel first began to show signs of neurological problems in 1927, and over the next several years, he experienced progressive muscle problems and aphasia, or the inability to speak. Neuroscientist Daniel J. Levitin has written that Ravel suffered brain damage that impaired his ability to hear pitch*. He began to show signs of dementia, worsened by a car crash he suffered in 1932. Over the next few years, he became unable to understand the written word, and he lost all ability to communicate through speech or writing. Finally, after an unsuccessful brain operation, he died in Paris on December 28, 1937, one week prior to my six-month birthday.

*Interested in the neurological and psychological aspects of music and composers? Check out This is your Brain on Music: The Science of a Human Obsession by Daniel J. Levitin.